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Venus Transiens

by Sonja LaMar

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1.
You walk under the ice trees. They sway, and crackle, And arch themselves splendidly To deck your going. The white sun flips them into colour Before You They are blue, And mauve, And emerald. They are amber, And jade, And sardonyx. They are silver fretted to flame And startled to stillness, Bunched, splintered, iridescent. You walk under the ice trees And the bright snow creaks as you step upon it. My dogs leap about you, And their barking strikes upon the air Like sharp hammer-strokes on metal. You walk under the ice trees But you are more dazzling than the ice flowers, And the dogs' barking Is not so loud to me as your quietness. You walk under the ice trees At ten o´clock in the morning.
2.
Superstition 03:24
I have painted a picture of a ghost Upon my kite, And hung it on a tree. Later, when I loose the string And let it fly, The people will cower And hide their heads, For fear of the God Swimming in the clouds.
3.
Bullion 03:37
My thoughts Chink against my ribs And roll about like silver hail-stones. I should like to spill them out, And pour them, all shining, Over you. But my heart is shut upon them And holds them straitly. Come, You! and open my heart; That my thoughts torment me no longer, But glitter in your hair.
4.
Strain 02:47
It is late And the clock is striking thin hours, But sleep has become a terror to me, Lest I wake in the night Bewildered, And stretching out my arms to comfort myself with you, Clasp instead the cold body of the darkness. All night it will hunger over me, And push and undulate against me, Breathing into my mouth And passing long fingers through my drifting hair. Only the dawn can loose me from it, And the grey streaks of morning melt it from my side. Bring many candles, Though they stab my tired brain And hurt it. For I am afraid of the twining of the darkness And dare not sleep.
5.
Tell me, Was Venus more beautiful Than you are, When she topped The crinkled waves, Drifting shoreward On her plaited shell? Was Botticelli`s vision Fairer than mine; And were the painted rosebuds He tossed his lady, Of better worth Than the words I blow about you To cover your too great loveliness As with a gauze of misted silver? For me, you stand poised In the blue and buoyant air, Cinctured by bright winds, Treading the sunlight. And the waves which precede you Ripple and stir The sands at my feet.
6.
This afternoon was the colour of water falling through sunlight; The trees glittered with the tumbling of leaves; The sidewalks shone like alleys of dropped maple leaves, And the houses ran along them laughing out of square, open windows. Under a tree in the park, Two little boys, lying flat on their faces, Were carefully gathering red berries To put in a pasteboard box. Some day there will be no war, Then I shall take out this afternoon And turn it in my fingers, And remark the sweet taste of it upon my palate, And note the crisp variety of its flights of leaves. To-day I can only gather it And put into my lunch-box, For I have time for nothing But the endeavour to balance myself Upon a broken world.
7.
Shadows, And white, moving light, And the snap and sparkle of rain on the window, An electric lamp in the street Is swinging, tossing, Making the rain-runnelled window-glass glitter and palpitate. In its silver lustre I can see the old four-post bed, With the fringes and balls of its canopy. You are laying beside me, waiting, but I do not turn, I am counting the folds of the canopy. You are laying beside me, waiting, but I do not turn. In the silver light you would be too beautiful, And there are ten pleats on this side of the bed canopy, And ten on the other.
8.
Apology 04:23
Be not angry with me that I bear Your colours everywhere, All through each crowded street, And meet The wonder-light in every eye, As I go by. Each plodding wayfarer looks up to gaze, Blinded by rainbow haze, The stuff of happiness, No less, Which wraps me in its glad-hued folds Of peacock golds. Before my feet the dusty, rough-paved way Flushes beneath its gray. My steps fall ringed with light, So bright, It seems a myriad suns are strown About the town. Around me is the sound of steepled bells, And rich perfumed smells Hang like a wind-forgotten cloud, And shroud Me from close contact with the world. I dwell impearled. You blazon me with jewelled insignia. A flaming nebula Rims in my life. And yet You set The word upon me, unconfessed To go unguessed.
9.
All night I wrestled with a memory Which knocked insurgent at the gates of thought. The crumbled wreck of years behind has wrought Its disillusion; now I only cry For peace, for power to forget the lie Which hope too long has whispered. So I sought The sleep which would not come, and night was fraught With old emotions weeping silently. I heard your voice again, and knew the things Which you had promised proved an empty vaunt. I felt your clinging hands while night's broad wings Cherished our love in darkness. From the lawn A sudden, quivering birdnote, like a taunt. My arms held nothing but the empty dawn.
10.
Leisure 04:27
Leisure, thou goddess of a bygone age, When hours were long and days sufficed to hold Wide-eyed delights and pleasures uncontrolled By shortening moments, when no gaunt presage Of undone duties, modern heritage, Haunted our happy minds; must though withhold Thy presence from this over-busy world, And bearing silence with thee disengage Our twined fortunes? Deeps of unhewn woods Alone can cherish thee, alone possess Thy quiet, teeming vigor. This our crime: Not to have worshipped, marred by alien moods That sole condition of all loveliness, The dreaming lapse of slow, unmeasured time.

about

"Venus Transiens" is the debut album of german singer Sonja LaMar. It contains ten songs, based on poems of the american poet Amy Lowell (1874 - 1925). The songs were written in early 2020 - at first as some kind of sketches for accordion and synthesizer. The final versions were recorded in April and May 2020, arranged and produced by Tobias Herzz, at "Zentralwerk" Dresden, Germany.

Die Entstehung dieses Werks wurde durch ein Stipendium der Kulturstiftung des Freistaates Sachsen ermöglicht.

credits

released August 24, 2020

All songs written by Sonja LaMar.
All lyrics by Amy Lowell.

Sonja LaMar - Vocals, Accordion, Keyboard, Synthesizer.
Tobias Herzz - Drums, Programming, Guitars, Guitar FX, Bass, Synthesizers, Keyboards, Backing Vocals.

Mixed and mastered by Nikolaus Woernle at "Zentralwerk".
Produced by Tobias Herzz.

Artwork by Sonja LaMar.
Cover photo by Klaus Kaeten.


For my father. In gratitude.

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Sonja LaMar Dresden, Germany

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